Camera, DSLR and lens reviews
23rd October 2014: Nikon D750 review - samples!
Nikon's D750 is a new 24 Megapixel full-frame DSLR with a new 51-point AF system, 6.5fps shooting, 1080 / 60p video and becomes the first FX-format DSLR from Nikon to sport built-in Wifi and an articulated screen! Equally impressive is how much the D750 inherits from the D810, including 9 frame AEB and the 91k dot RGB sensor, making it classier than the D610. And the real sweetener? It costs $1000 less than the D810, which should make any potential buyer ask how much they need 12 extra Megapixels, a 1/8000 shutter and a block rated one third longer. Ahead of my in-depth review, check out my Nikon D750 sample images!
22nd October 2014: Zeiss Otus 85mm f1.4 review - samples!
The Zeiss Otus 85mm f1.4 is a short telephoto lens with an extremely high-end specification. It's the second Otus, following the original and highly regarded 55mm f1.4, and like that model adopts an uncompromised stance on optical quality. As before, it's available in Canon EF or Nikon F mounts, is manual focus only and carries an eye-wateringly high price tag. So the question is again how it compares and whether it's worth paying the extra. Ahead of his in-depth review, Thomas has provided a gallery of Otus 85mm f1.4 sample images.
20th October 2014: Canon ELPH 340 IXUS 265 review!
Canon's PowerShot IXUS 265, or ELPH 340 as it's known in North America, is a 16 Megapixel point-and-shoot compact with a 12x optical zoom, 1080p video and Wifi with NFC. The 25-300mm zoom range is what sets it apart from camera phones or more basic compacts, and the built-in Wifi makes it easy to transfer and share images. All this in a stylish and affordable body make the latest IXUS / ELPH a desirable buy, but to make sure we've compared it against Sony's WX350 and the Lumix SZ8. Find out which is the best budget compact for you in our Canon IXUS 265 ELPH 340 review!
15th October 2014: Panasonic LX100 review - samples!
The Panasonic Lumix LX100 is one of the most powerful compact cameras to date. Forget 1in sensors, Panasonic's squeezed in the larger Four Thirds sensor from the Lumix GX7 along with its big and detailed viewfinder too. But rather than use interchangeable lenses, the LX100 sports a fixed 24-75mm f1.7-2.8 lens and manages to come in at a smaller size and lower weight than either Canon's G1 X Mark II or Fujifilm's X100 series. Ahead of my in-depth review, check out a selection of sample images and movies in my Lumix LX100 review-in-progress!
13th October 2014: Canon G7X review - complete!
Canon's PowerShot G7X is a high-end compact with a 20 Megapixel 1in sensor and a 24-100mm f1.8-2.8 lens. It slots roughly between the G1 X Mark II and S120 in terms of sensor size, delivering a step-up in quality over the latter, but with a body that's crucially smaller than the former. It's a strategy that's worked well for Sony's RX100 series, the leader in this category. Canon is well-placed against it too with a longer zoom and touch-screen, albeit not with the EVF of the RX100 III. I've made a detailed comparison between these two models in my Canon G7X review - find out which will be best for you!
8th October 2014: Nikon 20mm f1.8G review - More results!
Nikon's AF-S 20mm f1.8G is a new prime lens for the company's range of DSLRs. It's compatible with FX-format full-frame bodies on which it'll deliver ultra wide coverage, along with cropped-frame DX-format bodies, where the field id reduced to 30mm equivalent. The Nikon system is of course well-served for ultra-wide coverage with the superb 14-24mm f2.8 zoom, so the big question is how the new 20mm prime compares, slotting in the middle of the range and offering a brighter aperture, not to mention being smaller, lighter and cheaper. Thomas has almost completed his in-depth review, but has already published many results and sample images for you! Check out his Nikon 20mm f1.8G review!
2nd October 2014: Nikon COOLPIX P530 review!
Nikon's COOLPIX P530 is a mid-range super-zoom camera with a 42x optical range - taking you from 24mm all the way to 1000mm. It has a 16 Megapixel CMOS sensor, 3in screen, electronic viewfinder, PASM shooting modes and 1080p video at a keen price. It's up against models like Canon's PowerShot SX520 HS and Sony's Cyber-shot H400, so it's those two models we've compared it to in our Nikon P530 review! Find out which mid-range super-zoom will be best for you!
23rd September 2014: Canon SX520 HS review!
Canon's PowerShot SX520 HS is a compact DSLR-styled 'bridge' camera with a 42x optical zoom range equivalent to 24-1008mm. It features a 16 Megapixel CMOS sensor, 1080p movies, but lacks the Wifi of its predecessor, the SX510 HS. The key selling point here is packing a big zoom into a relatively compact body, but there's other options to consider including Sony's H400, Nikon's P530 and of course Canon's own SX510 HS from last year. We've compared them all in our Canon SX520 HS review to help you find the best superzoom!
22nd September 2014: Panasonic GM5 preview - hands-on!
Panasonic's Lumix GM5 is a tiny mirrorless system camera based on the Micro Four Thirds standard - so while it's roughly the same size as a Sony RX100, it actually supports interchangeable lenses. The GM5 builds on the existing GM1 by packing in a small but detailed electronic viewfinder, a hotshoe and a new control dial on the rear that greatly improves ergonomics over the original. As before there's also a touch-screen, Wifi (but no NFC) and 1080p video up to 60p. I spent some time with the GM5 at Photokina to bright you my hands-on Panasonic Lumix GM5 preview!
15th September 2014: Canon EOS 7D Mark II preview!
Almost five years to the day since Canon launched the EOS 7D comes its successor, the EOS 7D Mark II. Announced at Photokina it brings pro-level AF, build and speed to a more affordable form factor and even sports the movie AF of the 70D and built-in GPS. But five years is a long time in this game and at this price I'm expecting the presence of 4k video and built-in Wifi. A tilting screen would also be nice. I've been playing with the actual camera at Photokina in Germany, so check out my Canon EOS 7D Mark II preview and let me know if it's the camera you've been waiting for!
11th September 2014: Canon G1 X Mark II review!
The Canon PowerShot G1X Mark II is a high-end compact aimed at those who desire DSLR quality in a smaller, fixed lens body. Successor to the original G1X, Canon has kept the 1.5in sensor, but coupled it with a broader and brighter 5x zoom, improved the macro, dropped the optical viewfinder but offers an optional electronic viewfinder, made the screen touch-sensitive, equipped it with two control rings and squeezed-in Wifi. It looks like Canon's learnt from the mistakes of the original and developed a truly compelling compact to rival Sony's RX100 III. Find out how they compare in my Canon G1 X Mark II review!
10th September 2014: Fujifilm XT1 Graphite Edition preview!
The Fujifilm XT1 Graphite Silver Edition is a new version of the popular XT1 mirrorless camera. Most obviously it gives the XT1 a new luxury multi-layered coating, but also debuts a new firmware edition with a number of key improvements. Enhancements include an electronic shutter with a maximum speed of 1/32000, a new Classic Chrome Film simulation, and coming soon, the chance to more easily move the AF area, support for 24, 25 and 50fps movie frame rates, a customisable Q menu and the ability to lock spot metering to the AF area. I'm pleased to report these improvements will also be available to existing XT1 owners with a firmware update in December 2014. Find out more in my Fujfilm XT1 Graphite Silver Edition preview!
2nd September 2014: Panasonic Lumix FZ1000 review!
The Panasonic Lumix FZ1000 is a DSLR-styled superzoom with a 16x 24-400mm f2.8-4 lens, 1in sensor and 4k video recording capabilities. The zoom range may be shorter than the 24x of the FZ200 or 60x of the FZ70 / FZ72, but the FZ1000's sensor boasts four times the surface area for better quality. The FZ1000 also has an articulated screen, the same OLED viewfinder as the Lumix GH4, 12fps shooting, built-in Wifi with NFC and support for 1080p video at up to 120fps depending on region. Find out how it compares against Sony's RX10 in my Lumix FZ1000 review!
27th August 2014: Sony FE 70-200mm review - complete!
Sony's FE 70-200mm f4G OSS is the first telephoto zoom that's native to the company's full-frame and APS-C mirrorless cameras, allowing it to work without an adapter on the A7, NEX and Ax000 series. It sports a constant f4 focal ratio, optical stabilization and fast and quiet focusing. I tested it extensively for sports and urban landscapes with the A6000 and present the first part of my review here! I'll update this review with a report on the full-frame performance in the future, but in the meantime many of my results are applicable for both formats. Check out my Sony FE 70-200mm review!
20th August 2014: Mirrorless Sports Photography!
Mirrorless cameras have a lot going for them, but sports photography is an area where they've traditionally struggled. They could shoot quick bursts but their continuous AF was rarely convincing, leaving DSLRs as the best bet for people who wanted to shoot moving subjects. But when I tested Sony's A6000 I found it delivered the best continuous AF I'd seen from a mirrorless camera so far - the only question was whether it was up to a pro sports event. To find out I followed the 2014 Tour de France over five days across mountain passes, through rural villages and culminating with the time trial with the A6000 and Sony's new FE 70-200mm f4G OSS lens. The results may surprise you, they certainly surprised me: not only was mirrorless up to the job, it out-performed DSLRs costing twice the price. Find out why in my mirrorless sports photography article!
18th August 2014: Sony A5100 preview!
Sony's A5100 is the company's latest upper-entry-level mirrorless camera, sitting between the A5000 and A6000, and coming less than 8 months after either. Sony's taken the tiny body of the A5000 with its screen which can flip back to face the subject, and fitted it with the sensor from the A6000, meaning it gets not just an upgrade to 24 Megapixels, but also the superb continuous AF capabilities of the higher-end model. Sony's also trumped both the A5000 and A6000 by fitting the A5100 with a touch-sensitive screen and XAVC S movie encoding, and suffice it to say there's still Wifi, NFC and downloadable apps. Find out more in my Sony A5100 preview!
11th August 2014: Panasonic Lumix TZ60 / ZS40 review!
The Lumix TZ60 / ZS40 is Panasonic's flagship pocket super-zoom camera. Replacing the best-selling TZ40 / ZS30, the new TZ60 / ZS40 sports a 30x range equivalent to 24-720mm, and becomes the first pocket super-zoom with a built-in electronic viewfinder and support for RAW files. The TZ60 / ZS40 also packs 18 Megapixel resolution, 1080p video, built-in Wifi with NFC, and GPS with a database of landmarks. Find out which is the best super-zoom for you in my TZ60 / ZS40 review, where I'll compare it against key rivals from Sony, Canon and even within Panasonic's own range!
4th August 2014: Sony RX100 III review - completed!
Sony's Cyber-shot RX100 III is the latest in a series of popular compacts aimed at enthusiasts. It shares the larger than average 1in / 20 Megapixel sensor of the RX100 II, but swaps the lens for a 24-70mm f1.8-2.8. This may not zoom as far, but it starts a little wider and ends a lot brighter. Amazingly Sony's also managed to squeeze-in a popup electronic viewfinder, the screen now flips up by 180 degrees to face the subject and the video quality has improved. Find out why I reckon it's the best compact for enthusiasts in my in-depth Sony RX100 III review!
28th July 2014: Sony A3000 review - budget mirrorless!
Sony's Alpha A3000 is the company's most affordable mirrorless camera, and one that aims to take business away from traditional entry-level DSLRs. It features a 20 Megapixel APS-C sensor, Full HD video, and a wealth of shooting modes and assistance that will delight beginners. To hit a low price point, Sony's had to fit a basic electronic viewfinder, but you can't argue with the great image quality from a camera that costs two thirds the price of its cheapest DSLR rivals. Indeed it's one of the cheapest new cameras with an APS-C sensor and the chance to swap lenses - but is it right for you, or worth spending more? Find out in our Sony A3000 review!
21st July 2014: Sigma 50mm f1.4 ART review - complete!
The Sigma 50mm f1.4 DG HSM Art is a standard prime lens that's available in Canon, Nikon, Sigma or Sony A-mounts. The focal length may be 'normal' but the performance of the ART series is anything but. It may cost two to three times more than standard 50mm f1.4 lenses, but comes in comfortably cheaper than Canon's 50mm f1.2 and Nikon's 58mm f1.4. So how does it measure-up? Thomas and Gordon teamed-up to give the Sigma 50mm ART a real workout, with Thomas comparing it against the Nikkor 50mm f1.4 and the Zeiss Otus 55mm f1.4 on his Nikon D800, while Gordon compared it against Canon's EF 50mm f1.4 and EF 50mm f1.2 on an EOS 6D. Is this the best 50mm on the market? Find out in our Sigma 50mm ART review!
3rd July 2014: Leica 15mm f1.7 review - complete!
The Leica Summilux 15mm f1.7 is a semi-wide lens for the Micro Four Thirds system. Mounted on a Panasonic or Olympus body it delivers equivalent coverage of 30mm, making it a mild wide-angle roughly between the traditional 28 and 35mm focal lengths. This makes it an ideal general-purpose option, offering a step-up over kit zooms, and if you're fitting it on the tiny Lumix GM1 it won't impede a tripod mount. The Micro Four Thirds system does however offer a variety of lenses and most owners will wonder how the 15mm f1.7 compares to the slightly longer and slightly cheaper Olympus 17mm f1.8. Well wonder no more! I've compared them in detail in my in-depth Leica 15mm f1.7 review!
26th June 2014: Nikon D810 preview - hands-on!
Nikon's D810 is the successor to the D800 and D800e DSLRs. Like its predecessors, the D810 sports a full-frame sensor with 36 Megapixels, but Nikon says it's a new design with no optical low pass filter. Coupled with the EXPEED 4 processor from the D4s, Nikon claims the D810 delivers their best image quality yet. Other upgrades include a 64-12800 native ISO range, zonable AF, sRAW files, 1080p at 50p / 60p, slightly faster continuous shooting, a new Clarity adjustment, flat profile option, highlight-weighted metering, 1229k dot RGBW screen, and an improved shutter block that reduces vibrations. I went hands-on and you can find out my first impressions in my Nikon D810 preview!
23rd June 2014: Canon EOS 1200D T5 review!
Canon's EOS 1200D, or Rebel T5 as it's known in North America, is the company's latest entry-level DSLR. The 1200D T5 upgrades the sensor to 18 Megapixels, the screen to a 3in / 460k panel, supports 1080p video and a higher maximum sensitivity of 12800 ISO. In the three years since the EOS 1100D T3 though, Nikon has released two entry-level DSLRs, both aimed slightly higher, while the mirrorless market has really taken off. So in our Canon 1200D T5 review we've compared it against Nikon's D3300 and Sony's A3000 and A5000 to find out which is the best budget camera with interchangeable lenses!
17th June 2014: Sony WX350 review!
Sony's WX350 packs a 20x optical zoom into a surprisingly compact body - indeed Sony claims it's the World's smallest and lightest with this optical range and I can't think of anything to dispute that. It sports an 18 Megapixel sensor, 1080 / 50p / 60p movies, built-in Wifi with NFC and 10fps continuous shooting, making it pretty capable for the price. Sure, it's basic in terms of manual control, but Sony's ticked the right boxes for the target audience. See how it compares against Canon's SX600 HS 20x travel-zoom in our Sony WX350 review!
2nd June 2014: Nikon P600 review!
The Nikon COOLPIX P600 is a DSLR-styled superzoom with a massive 60x optical range, equivalent to 24-1440mm. It also sports a fold-out 3in screen, electronic viewfinder and Wifi which allows connection to a smartphone for transferring images and remote controle. The bridge superzoom market is a crowded place with plenty of choice from all the major manufacturers and purely on the grounds of zoom range, the COOLPIX P600 is a front runner. Size is important, but it's not the only thing that matters, so I tested the P600 against Sony's Cyber-shot HX400V which has a slightly shorter 50x optical zoom but a host of other compelling features. Find out which provides the best balance in my Nikon COOLPIX 600 review!
27th May 2014: Sony A5000 review!
The Alpha A5000 is an entry-level mirrorless camera that's aimed at anyone upgrading from a point-and-shoot camera or a smartphone. It goes head-to head with entry-level DSLRs, sporting a similarly-sized sensor and the chance to swap lenses, but unlike most DSLRs at this price point, adds an articulated screen for easy self-portraits and built-in Wifi that supports wireless image transfer, smartphone remote control and downloadable apps. As a mirrorless camera, the A5000 is also a lot smaller and lighter than a DSLR. So is this now your best bet if you're buying your first interchangeable lens camera? Find out in my Sony Alpha A5000 review!
21st May 2014: Sony HX400V review!
Sony's Cyber-shot HX400V is the company's flagship long super-zoom camera. It sports a 50x optical range, offering an equivalent of 24-1200mm, a new 20.4 Megapixel CMOS sensor coupled with the latest BIONZ X processor, a 3in tilting screen and electronic viewfinder, along with built-in Wifi with NFC and a GPS receiver. It's a suitably high-end specification, but as always up against tough rivals. In his Sony HX400V review, Ken's compared it against the Nikon P600 to help you decide on which will be the best super-zoom for you!
15th May 2014: Panasonic Lumix GH4 review - complete!
The Lumix GH4 is Panasonic's flagship mirrorless camera, and the first of its kind to offer 4k video recording. A new 16 Megapixel sensor delivers 4k (UHD or Cinema) up to 30fps or 1080p at up to 96fps, both at high bit rates. The GH4 also becomes Panasonic's most powerful stills camera: like the GH3, it's weather-sealed and features a fully-articulated screen, large EVF, mic and headphone jacks, 1/8000 shutter, 12fps continuous shooting and built-in Wifi now with NFC. I've been testing the GH4 for five weeks and can now present my complete review which takes a deeper look at the movie capabilities than any review I've ever done, while also covering all the traditional stills photography aspects of the camera! Find out all about this game-changer in my Panasonic Lumix GH4 review!
12th May 2014: Nikon 16-35mm f4G review - ultra wide zoom!
The Nikkor AF-S 16-35mm f4G VR is an ultra-wide angle zoom for Nikon DSLRs. It also has a constant f4 focal ratio across the range and is one of the few ultra wides to feature optical stabilisation. Nikon offers a wide selection of ultra wide options, including the 18-35mm at the cheaper-end and the 14-24mm at the premium end. The 16-35mm sits somewhere inbetween, but where exactly? Find out in our Nikon 16-35mm review where Thomas has compared all three!
6th May 2014: Panasonic Lumix TS5 FT5 review - waterproof!
Panasonic's Lumix FT5 / TS5 is a rugged waterproof compact designed for use in the water and other outdoor environments. It's waterproof to13 metres, can withstand a drop from 2 metres and is freeze-proof down to -10C. It has a 28-128mm zoom, 3in screen and 16 Megapixel sensor, along with built-in GPS and Wifi with NFC. In our Lumix TS5 FT5 review, we compared it against the Olympus TOUGH TG2 and Nikon AW1 to find out which underwater camera will be best for you!
24th April 2014: Sony Alpha A6000 review!
Sony's Alpha A6000 is a new mid-range mirrorless camera which replaces the NEX-6. It keeps the same body shape, featuring a built-in flash, hotshoe / accessory port, viewfinder and 3in tilting screen, but upgrades the resolution to 24 Megapixels, increases the number of embedded phase-detect AF points, complements the Wifi with NFC, and tweaks the control layout. It's an impressive spec but as always up against tough competition from the likes of the Olympus OMD EM10 on the mirrorless side and the Nikon D5300 representing traditional DSLRs. Find out which is the right camera for you in my Sony A6000 review!
14th April 2014: Canon SX700 HS review - 30x super-zoom!
The PowerShot SX700 HS is Canon’s flagship pocket super-zoom for 2014. Successor to last year’s SX280 HS, the new model squeezes in a longer 30x optical zoom into its compact body, along with a 16 Megapixel CMOS sensor, 3in / 920k dot screen, 1080 / 60p movies, full manual control and built-in Wifi with NFC. It’s up against tough rivals with Panasonic’s Lumix TZ60 / ZS40 and Sony’s Cyber-shot HX50V / HX60V both offering 30x zooms in compact bodies, so to help you choose I’ve tested all three side-by-side! Find out which will be best for you in my Canon SX700 HS review!
10th April 2014: Sigma 24-105mm f4 review - new ART zoom!
Sigma's 24-105mm f4 Art is a new general-purpose zoom lens, available in Canon, Nikon, Sony A and Sigma fits. Mounted on a full-frame camera it delivers an ideal walkaround range from wide angle to short telephoto, or it's equally at home on cropped-bodies where it'll deliver coverage equivalent to 36-158mm. Of course it's up against tough competition from the camera manufacturers themselves who all offer similar or even identical ranges. Find out if it's a serious rival in our Sigma 24-105mm f4 review!
8th April 2014: Canon SX600 HS review - budget super-zoom!
Canon’s PowerShot SX600 HS is an affordable pocket super-zoom with an 18x lens range and a 16 Megapixel sensor. It can shoot 1080p30 HD video, has built-in Wifi with NFC and can tag images with GPS data logged from your smartphone. Canon’s 2014 line-up contains no shortage of super-zooms with three compact models and three larger ones. Find out where the SX600 HS fits into the range and whether it’s the model for you in our Canon SX600 HS review!
7th April 2014: Sony Alpha A7s preview - low light King?
Sony’s Alpha A7s is the company’s third full-frame mirrorless system camera, but while the body, composition and lens mount are essentially the same as the earlier A7 and A7r, the new model offers a very different proposition. The sensor resolution is just 12 Megapixels, allowing it to deliver very high sensitivities up to 409,600 ISO. As importantly though, it also allows the camera to capture 4k UHD video without scaling artefacts. The A7s also enjoys an upgrade over its siblings for 1080p shooting with a superior codec and again no scaling artefacts. Videographers will love it, but the potential for very low noise also has still shooters interested. Find out more in my Sony A7s preview!
2nd April 2014: Olympus TOUGH TG2 review!
The Olympus TOUGH TG2 is designed to handle rough conditions: it's water-proof to 15 Meters, shock-proof to 2.1 Meters, crush-proof to 100Kgf and freeze-proof to -10C. It packs a 25-100mm equivalent zoom with a bright lens that starts at f2 allowing the TG2 to deploy lower ISOs than most rivals under the same conditions. It also features built-in GPS and supports optional lens converters to widen or tighten the view. Find out how it compares to the Nikon AW1 and Panasonic Lumix FT5 / TS5 both above and below the water in our Olympus TOUGH TG2 review!
25th March 2014: Nikon AW1 review!
The Nikon AW1 is the World's first underwater digital system camera. Based on the company's '1' mirrorless system, the AW1 can be submerged down to 15m and is also dustproof, freezeproof to -10C, and shockproof to 2m. As a Nikon 1 camera the AW1 enjoys fast continuous shooting with AF and the chance to capture HD video and stills simultaneously. It also includes built-in GPS, electronic compass, height and depth indicators and optional one-handed operation. With a bigger sensor and the chance to swap lenses, the AW1 promises a higher-end experience than a traditional waterproof compact, but how does that pan-out in practice? Find out if it's the best underwater camera in our Nikon AW1 review!
21st March 2014: Fujifilm XF 56mm f1.2 review !
The Fujinon XF 56mm f1.2 R is a fast prime lens for Fujifilm's X-mount cameras that delivers a full-frame equivalent focal length of 84mm; this makes it perfect for short telephoto work including portraiture or simply concentrating on details, while the bright f1.2 focal ratio delivers very shallow depth of field effects (equivalent to f1.8 on full-frame) and allows you to maintain higher shutter speeds or lower ISOs in low light conditions. It's a highly anticipated new lens for the X-system, so what better body to try it out on than the latest XT1? My in-depth review looks at the build quality, focusing (single, continuous and manual), sharpness and most importantly, the bokeh! Check out my Fujifilm 56mm f1.2 review!
17th March 2014: Nikon 35mm f1.8G ED review!
The Nikkor 35mm f1.8G ED fills the last gap in Nikon's 35mm line-up: a lens designed for full-frame DSLRs, but pitched at a more affordable price-point than the flagship f1.4G. 35mm is a versatile focal length delivering 'normal' coverage on a DX-body and giving you mild wide-angle on a full-frame body while avoiding the quirks of more extreme models. The new 35mm f1.8G ED joins three other full-frame compatible primes with f1.8 aperture: the 28/1.8G, 50/1.8G and 85/1.8G. In my Nikon 35mm f1.8G ED review I'll show you how this lens performs and help you decide whether it should be part of your collection!
11th March 2014: Nikon D3300 review!
The D3300 is Nikon's latest entry-level DSLR. It replaces the D3200 with an updated sensor delivering the same 24 Megapixel resolution, but without the optical low pass filter for crisper results. Switching the sensor and coupling it with the latest EXPEED 4 processor also lets the D3300 support 1080p video up to 60p and slightly faster 5fps shooting. There's also a new kit zoom, which offers the usual 18-55mm range, but with a retracting design which collapses 2cm shorter than the previous kit zoom, while also weighing 70g less. Check out our Nikon D3300 review to see how it compares to the D3200 and Canon's EOS SL1 / 100D!
7th March 2014: Zeiss Otus 55mm f1.4 review!
The Zeiss 55mm f/1.4 Otus is a standard lens with ambitious goals and a price tag to match. Available in Canon or Nikon mounts, both with manual focus only, the Otus 1.5/55 as Zeiss refers to it, is one of the most expensive standard lenses around right now at just shy of $4000 USD. There are plenty of luxury lenses around at the 50mm focal length or thereabouts, but none carry this kind of price tag nor describe themselves as being the absolute best lens in the World today. So just how good is it? Find out in our Zeiss Otus 55mm f1.4 review, where Thomas tested it on his 36MP Nikon D800!
3rd March 2014: Fujifilm XT1 review!
The Fujifilm X-T1 is a high-end mirrorless camera aimed at demanding enthusiasts. It's the sixth model to employ Fujifilm's X-mount and, but rather than updating an existing model, the X-T1 belongs in a new category. The X-T1 is styled like a mini DSLR with a centrally-positioned viewfinder hump, and features a weatherproof body, five dedicated analogue dials, two soft dials, six custom buttons, a huge OLED viewfinder with 2360k dots and some clever display modes, a tilting 3in screen, 1080p video, 8fps continuous shooting with AF, built-in Wifi and the same 16 Megapixel X-Trans II sensor as the XE-2 which sports embedded phase detect AF. Is this the best mirrorless camera yet?
After conducting a wealth of tests and comparisons, I can now present my in-depth Fujifilm XT1 review!
26th February 2014: Nikon 50mm f1.4G review!
When Nikon launched the AF-S 50mm f1.4G five and a half years ago, it became its new flagship standard prime lens. It replaced the much older AF 50mm f1.4D, sharing the same bright aperture, but featuring SWM allowing it to autofocus quickly and quietly on all Nikon DSLRs including the lower end D3x00 and D5x00 ranges. But fast forward to 2014 and the AF-S 50mm f1.4G now finds itself sandwiched between the more affordable AF-S 50mm f1.8G and the new flagship model, the AF-S 58mm f1.4G. Find out how it measures-up on the most demanding Nikon body in our fully updated Nikon 50mm f1.4G review!
10th February 2014: Olympus STYLUS 1 review!
The Olympus STYLUS 1 is a DSLR-styled super-zoom camera with a 10.7x range, constant f2.8 aperture, built-in viewfinder and a larger sensor than most rivals. Styled like the OMD EM5, and sharing the same 1.44 million dot (800x600) electronic viewfinder, the STYLUS 1 squeezes in a 28-300mm equivalent zoom with a constant f2.8 aperture. Behind the lens is a 1/1.7in 12 Megapixel sensor, and it also has built-in Wifi, a hotshoe, loads of controls and 1080p video. It's an exciting new contender in the super-zoom market, but up against two tough and quite different rivals, which also boast constant f2.8 apertures. I tested all three side-by-side, comparing quality, coverage, depth of field, handling and much more. Find out which will be best for you in my Olympus STYLUS 1 review!
5th February 2014: Nikon 58mm f1.4 review!
The Nikkor AF-S 58mm f1.4G is a high-end prime lens with a bright aperture and a slightly longer than standard focal length. Nikon isn't short of 50mm primes, but only the 58mm in the current lineup carries the gold-ring denoting its professional status. Paying homage to the legendary Noct-NIKKOR lens, the 58mm is also designed to perform best at its maximum aperture. But with a price tag several times higher than the 50mm f1.4G, is it worth the money? Find out how it measures-up in our Nikon 58mm f1.4G review!
3rd February 2014: Sony RX10 review!
Sony's Cyber-shot RX10 is a high-performance bridge camera sporting a 24-200mm zoom with a constant f2.8 focal ratio and a larger than average sensor behind it. So rather than the usual 1/2.3in sensors of most super-zooms, the RX10 employs the same 1in 20 Megapixel sensor of the RX100 II that's over four times larger. It also features a large detailed electronic viewfinder, built-in Wifi, a stack of professional movie capabilities, 10fps continuous shooting and a weather-proofed body. Phew! This easily makes it the highest-spec bridge camera to date, but also the most expensive. To find out if it's worth paying the extra I compared it side by side against two very different f2.8 superzooms, Panasonic's Lumix FZ200 and the Olympus STYLUS 1. See how their handling and quality compare in my in-depth Sony RX10 review!
29th January 2014: Olympus OMD EM10 preview!
The Olympus OMD EM10 is a mid-range mirrorless camera, based on the Micro Four Thirds standard. The third OMD camera, it's positioned below the existing EM5 and EM1 although shares a number of specifications from both. It looks most like the EM5 and shares the same viewfinder, 3in tilting screen and 16 Megapixel sensor, while inheriting the Wifi and image processor from the flagship EM1, and sporting a popup flash that's not been included on an OMD before. It lacks the weather-sealing of the EM5 and EM1 and its built-in IS is not as sophisticated, but it remains a solid specification for anyone who'd otherwise go shopping for an entry-level DSLR. Find out more in my Olympus OMD EM10 preview!
20th January 2014: Leica Nocticron 42.5mm review!
The Leica Nocticron 42.5mm f1.2 is a high-quality short telephoto lens designed for Panasonic and Olympus mirrorless cameras. It's the brightest lens in the Micro Four Thirds catalogue to sport autofocus, and it also features optical stabilisation. The effective focal length of 85mm coupled with the fast focal ratio makes it perfect for portraits, and Leica has taken care to ensure the out-of-focus rendering is smooth with nine aperture blades. It's not a cheap lens, so the big question is whether it's worth spending the extra over models like the Olympus 45mm and 75mm f1.8. So I compared all three and have a detailed report on sharpness, bokeh, coma and more, along with over 30 sample images, mostly taken at f1.2, all in my Leica Nocticron 42.5mm f1.2 review!
14th January 2014: Olympus OMD EM1 review!
The OMD EM1 is the new flagship camera from Olympus. It joins the hugely popular OMD EM5 in the range, but is positioned higher, providing not just an upgrade path for EM5 owners, but also those who use the earlier E5 DSLR. Indeed the headline feature is much improved AF with older Four Thirds lenses, thanks to integrating phase-detect AF points on the sensor. The EM1 is dust and splash proof, but now also freeze-proof and inherits the built-in 5-axis stabilisation, tilting touch-screen, Wifi, 1/8000 shutter and focus peaking of the EP5. It also features the superb viewfinder of the VF4 along with 10fps continuous shooting. It adds up to the most professional Micro Four Thirds body to date and to do it justice I've spent almost two months testing and comparing it against rivals - check out my Olympus OMD EM1 review, one of my most detailed yet!
20th December 2013: Sony A7r review!
The Alpha A7r is Sony's flagship mirrorless camera. Launched alongside the cheaper A7, they share weather-proof bodies, OLED viewfinders, tilting screens and Wifi. But where the A7 is equipped with a 24 Megapixel sensor and embedded phase detect AF, the A7r sports 36 Megapixels with the low pass filter removed for crisper results. They're arguably two of the most exciting cameras released this year and I've just added my full RAW comparisons to my in-depth review! So you'll now be able to see how the image quality compares against the A7, Canon EOS 5D Mark III and Nikon D800e in both JPEG and RAW - check out my Sony Alpha A7r review!
13th December 2013: Panasonic Lumix GM1 review!
The Panasonic Lumix GM1 is the World's smallest mirrorless system camera. Only a little thicker than Sony's RX100 II, the Lumix GM1 is a fully-fledged interchangeable lens camera which inherits much of the higher-end GX7's features. So not only do you get a bigger sensor than most enthusiast compacts and the chance to swap lenses, but also built-in Wifi with smartphone control, seven-frame AEB, timelapse modes, focus peaking and manual control over movie exposures. So if you're looking for a high-end compact or a backup body, you'll want to read my Panasonic Lumix GM1 review!
9th December 2013: Sigma 50mm f1.4 review!
Sigma's 50mm f1.4 EX DG HSM is a standard lens with a bright aperture that's available for Canon, Nikon, Pentax and Sony A-mount DSLRs. Unlike many third party lenses it actually costs a little more than the equivalent 50mm f1.4 lenses from Canon and Nikon, so the big question is how well it performs and whether it's worth spending the extra. To find out, Thomas fitted it on his high resolution Nikon D800 body and ran it through his usual array of in-depth tests. So if you're looking for a high quality standard prime lens for your DSLR body, check out his Sigma 50mm f1.4 review!
4th December 2013: Nikon D610 review!
The Nikon D610 is a 'budget' full-frame DSLR, aimed at enthusiasts upgrading from mid-range models or pros looking for an affordable backup for a higher-end body. It replaces the year-old D600 with a minor refresh in features: improved auto white balance and an upgraded shutter mechanism supporting slightly quicker continuous shooting and a new 'silent' mode. Apart from this, the D610 remains the same as the D600 before it, but that's no bad thing as it delivered great handling and quality, earning our Highly Recommended award. Rather than just publish a simple update though, we decided to take the opportunity to perform additional tests against the D7100 with some very interesting results, while also comparing the feature set and style against the Sony Alpha A7 - after all there's a new affordable full-framer in town! See my Nikon D610 review!
29th November 2013: Sony Alpha A7 review!
Sony's Alpha A7 is one of the most exciting cameras to be launched this year, packing a full-frame 24 Megapixel sensor into a compact but feature-packed and affordable mirrorless body. The A7 boasts a weather-proof body with built-in Wifi, a tilting screen, superb electronic viewfinder, great video capabilities and a high degree of control and customisation. And thanks to its mirrorless design and full-frame sensor, you can also mount lenses from almost any system without a crop. I've now completed part one of my in-depth Sony Alpha A7 review which contains a wealth of comparisons, tests and results specific to this model over the A7r, along with a detailed discussion into using multiple lens systems, including Canon, Nikon and Leica!
21st November 2013: Nikon D5300 review!
The Nikon D5300 is an upper entry-level DSLR aimed at photographers looking for a step-up from a budget model with the expense, size and complexity of a higher-end model. It comes just less than a year after the D5200, but makes some important upgrades: the resolution remains 24 Megapixels, but like the D7100 the low pass filter has now been removed for potentially crisper images, the screen remains articulated but is slightly larger at 3.2in, the viewfinder image is a little bigger and arguably most importantly, it becomes the first Nikon DSLR with built-in Wifi and GPS. Find out how it compares against its major rival, the Canon EOS T5i 700D in my Nikon D5300 review!