Canon’s EF 16-35mm f4L IS USM is an ultra-wide zoom that’s compatible with full-frame DSLRs. It’s the successor to the EF 17-40mm f4L USM, losing a little on the long-end, but gaining a tad on the important wide-end, while also adding the benefit of image stabilization. Crucially it matches the coverage of the EF 16-35mm…
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Canon’s EF 16-35mm f2.8L II USM is the second version of its professional ultra-wide lens. It delivers huge views on a full-frame body and is so wide it’s also usable as a standard zoom on a cropped body. It’s pricey, but features a constant, bright f2.8 aperture, quick and quiet USM focusing, and as an…
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The widest prime lens in the Canon catalogue is a real gem: the EF 14mm f2.8L II USM, now in an improved Mark II version, delivers ultra-wide coverage without any of the distortion of a fisheye. This is the lens to go for if you want to capture big skies, large buildings or expansive landscapes…
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The 35mm f/1.4 DG HSM is Sigma’s first large aperture 35mm full-frame lens. It was announced November 2012 and goes head-to-head against the equivalent offerings from Nikon, Canon and Sony. As Sigma’s first lens to define its “Art” product line (the others being “Contemporary” and “Sports”) it is expected to “focus on sophisticated optical performance…
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The Canon EF 8-15mm f4L Fisheye USM is a unique lens which delivers 180 degree Fisheye images to all three of its sensor formats: APS-C, APS-H and full-frame, while owners of the latter also get to enjoy full circular Fisheye images too. My in-depth review!…
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