The Canon EOS 90D is an upper mid-range DSLR with a 32.5 Megapixel APSC sensor, Dual Pixel AF for live view and movies, 45-point AF through the viewfinder, 10fps shooting, uncropped 4k video at 25 or 30p, and a fully-articulated touchscreen. Find out whether this new DSLR is right for you in my full review packed with comparisons!…
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The Sony A9 II is a high-end 24.2 Megapixel full-frame mirrorless camera, aimed at professional sports photographers. It combines the core A9 features of 20fps silent shooting and zero blackout with a raft of body upgrades from the A7r IV and the latest AF and processing to become Sony’s most professional body. Find out more in my preview!…
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The Canon SX70 HS is a super-zoom camera with DSLR-styling, 20 Megapixels and a 65x / 21-1365mm optical zoom. The SX70 HS keeps the body, zoom and flip-screen of its predecessor, but upgrades the resolution and viewfinder while adding 4k video and 10fps. Find out if it’s still King of the super-zooms in our full review!…
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The Canon EOS M6 Mark II is a mid-range mirrorless camera with a 32.5 Megapixel APSC sensor, uncropped 4k video at 25 or 30p with Dual Pixel AF, 14fps shooting with autofocus, a tilting touchscreen and slide-on electronic viewfinder. Find out how it compares to the EOS M50, EOS 90D, Sony A6400 and Fujifilm X-T30 in my in=depth review!…
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The Sony E 70-350mm f4.5-6.3 G OSS is a telephoto zoom for its E-mount mirrorless cameras with APSC sensors, like the A6000 series. It’s designed as a premium option for those who demand better quality and desire longer reach without the even higher cost or bulk of the full-frame and G Master options. Find out why it comes recommended in my review!…
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The Sony E 16-55mm f2.8 G is a high-end general-purpose zoom for E-mount mirrorless cameras with APSC sensors, like the A6000 series. It’s Sony’s first f2.8 zoom designed for APSC mirrorless and one that owners of its higher-end cameras in the series have been crying out for. Find out if it meets expectations in my full review!…
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The Sigma 35mm f1.2 DG DN Art is a mild wide-angle lens designed for full-frame mirrorless cameras and available in the Sony E and Leica L mounts, the latter working on Leica, Panasonic and Sigma L-mount bodies. The brightest 35mm lens with autofocus to date, it delivers attractive bokeh and impressive sharpness. Find out why you’ll want it in our review!…
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The Nikon Z 85mm f1.8 S is a short telephoto lens designed for Nikon’s full-frame Z mirrorless system. It becomes the first native prime lens in the system aimed at portrait photographers who desire classic head-and-shoulders compositions with shallow depth-of-field effects. Thomas compares it to rivals in his in-depth review!…
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The Sony A6600 is an upper mid-range mirrorless camera with a 24 Megapixel APSC sensor, built-in stabilisation, 4k video, 11fps bursts with autofocus, and increased battery life. It replaces the three-year-old A6500 as Sony’s flagship body and in my in-depth review I’ll compare all of its pros and cons to rivals to help you decide!…
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Sigma’s 50mm f1.4 ART is a high-end standard lens with autofocus for Canon, Nikon, Leica-L or Sony mounts. We’ve completely updated our original review, retesting it at higher resolutions and comparing it to new primes lenses from a variety of manufacturers. Find out why it remains one of the best 50mm lenses around in our review!…
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